Influenced by Italian Neorealism, THE COW has the beauty and simplicity associated with the great films of that movement.
In a small village in Iran, Hassan cherishes his cow more than anything in the world. While he is away, the cow mysteriously dies, and the villagers protectively try to convince Hassan the cow has wandered off.
Grief stricken, Hassan begins to believe he is his own beloved bovine.
Cannes (Quinzaine des Réalisateurs), Berlinale (Forum): OCIC Award - Recommendation
THE COW won great acclaim at the Venice Film Festival after being smuggled out of Iran in 1971, and was twice voted the best Iranian film ever made by a survey of Iranian film critics.
Mehrjui based the story for this film on a novella by Ghalam Hossein Saedi. After a first successful one-hour version for Iranian television, he made a new and longer version for the cinema.
The leading character is Hassan, a peasant in a small and poor village. Hassan is the only one in the village lucky enough to own a cow.
He spoils the cow like a child and lives in perpetual fear that the inhabitants of a neighbouring and hostile village will steal his cow.
One day, when Hassan is out of the village at work, the cow dies. The villagers bury the cow and tell Hassan it wandered off. Hassan can't believe it. In his sorrow and astonishment, he takes the place of his cow.
Read about this film
Title: The Cow | Gaav (1969)
Directed by: Dariush Mehrjui
Date of birth: 8 December 1939, Tehran, Iran
Writing credits:
Dariush Mehrjui, Gholam-Hossein Saedi (Book)
Music by: Hormoz Farhat
Country: Iran
Language: Farsi
Color: Black & White
Runtime: 100 min.