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Cannes 2023 :: Killers of the Flower Moon :: Martin Scorsese’s Bitterest Crime Epic Martin Scorsese triumphs yet again. A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it.. |
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Berlinale 2023 :: Full Winners List This year’s jury, headed by Kristen Stewart, gave
the Golden Bear award to the French documentary “On the Adamant..” The Silver Bear for
Best Lead Performance notably went to child star Sofia Otero for “20,000 Species of Bees.”
Philippe Garrel's “The Plough” was.. |
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BAFTA 2023 :: ‘All Quiet on the Western Front’
Dominates BAFTA Awards With Seven Wins “All Quiet on the Western Front” dominated the BAFTA Awards in London on
Sunday night with a record-breaking seven wins for a film not in the English languag,
including for Best Director.. |
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Berlinale 2023 :: Golshifteh Farahani :: Talks Role Of
Art In Iran “In A Dictatorship Like
Iran, Art Is Essential, It’s Like Oxygen.” Iranian actress Golshifteh Farahani, who is at the
Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the
importance of art.. |
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SIFF 2023 :: Shirin Ebadi :: Until We Are Free
This is the amazing, at times harrowing,
simply astonishing story of a woman who would never give up, no matter the risks. The first
Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around
the globe.. |
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IFFR 2023 Awards :: 'Le spectre de Boko Haram' and
'Endless Borders' are the victors Cyrielle Raingou’s documentary took home the Tiger Award, whilst Abbas
Amini’s feature won the VPRO Big Screen Award, as the Dutch gathering celebrated its in-
person comeback.. |
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Winners of the 2022 ‘Sepanta Awards’ :: 15th Annual
Iranian Film Festival This year, the
festival presented 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video.. |
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Opinion :: Will Venice Protests Help or Hurt filmmakers
in Iran? As the Venice Film Festival
celebrates Iranian cinema — with four Iranian films screening at the 79th Biennale — back
home in Tehran, Iranian filmmakers and artists are facing the harshest crackdown in
decades.. |
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Biennale Cinema 2022 :: Awards Ceremony
Official Awards of the 79th Venice Film Festival.
Announced by the five international Juries, chaired by Julianne Moore, during the Awards
Ceremony that was held on Saturday 10th September at 7:00 pm..
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Coming: 15th Annual Iranian Film Festival! : San
Francisco: Sep. 17-18 This year, the
festival presents 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video. We are happy and proud to.. |
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Bizarrely Intriguing 'The Oath' ('Ghasam')
By Deborah Young hollywoodreporter.com, 4/29/2019
A woman organizes a busload of relatives to testify against her sister’s presumed murderer in Mohsen Tanabandeh’s drama.
One of those curious tales that suddenly sheds light on the darker corners of Iranian society, Mohsen Tanabandeh’s The Oath (screening at the Fajr Film Festival) plunges the viewer into the drama of a feudal judicial system.
It starts with the premise of an eye for an eye (the hanging of a murderer) and then introduces the age-old custom of the victim’s family accepting a pay-off in blood money that would let the killer get off scot-free.
Alternatively, if the family lets up pressure on the judge, the murderer may never stand trial at all. Though the story never really takes a definite moral stand one way or the other, it has enough drama and vivid characters to find festival favor.
This is the second feature by writer-director Tanabandeh, who made his directing debut with the 2015 comedy Guinness but is better known as an actor whose credits include his award-winning role as the son Azim in Afghanistan’s Oscar submission, Rona, Azim’s Mother.
One could argue that The Oath is hardly less surreal than the men who have to ride turkeys in Guinness. But here the stakes are much higher, particularly for the stalwart heroine Razieh (Mahnaz Afshar), and there is little in the way of comic relief.
Almost the entire film takes place in the close confines of a large bus which Razieh has rented at her own expense. She has rustled up the passengers from her close family – cousins, uncles, aunts, nephews and nieces -- to swear in court that Razieh’s brother-in-law killed his young wife in a moment of jealousy, as was witnessed by two employees on the couple’s farm. What looks like an open-and-shut case is anything but, and if Razieh doesn’t get her crew to court by 9 a.m. the next morning, her sister's killer will go free. Cajoling and threatening the family, she keeps them aboard the bus and blocks various attempts at mutiny and backing down.
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