‘All We Imagine as Light’ and ‘April’
Lead Nominations for Asia Pacific Screen Awards

By Patrick Frater, Variety
Oct 15, 2024

Two films by women directors, Payal Kapadia’s “All We Imagine as Light” and Dea Kulumbegashvili’s “April” lead the nominations for the Asia Pacific Screen Awards.

Both films will compete in five categories – best film, best director, best screenplay, best cinematography and best performance – it was revealed Wednesday in a nominations announcement.

Also competing for best film are Yoko Yamanaka’s Tokyo-set story of a young woman’s mental illness, “Desert of Namibia” (Japan); Neo Sora’s future Tokyo tale of perilous social surveillance “Happyend” (Japan, U.S.); and Jiang Xiaoxuan’s “To Kill a Mongolian Horse” (Malaysia, Hong Kong, South Korea, Japan, Saudi Arabia, Thailand, U.S.), a portrait of a Mongolian horseman turned performer, based on a true story.


APSA nominees ; Courtesy of Asia Pacific Screen Awards

Four of the five films nominated for best film are from female directors, and in an APSA first, all five best film contenders are first or second features.

In addition to Kapadia, Kulumbegashvili and Jiang, the nominees for best director include Tato Kotetishvili for “Holy Electricity,” alongside veteran French Cambodian auteur Rithy Panh for “Meeting with Pol Pot.”

For the first time since the acting category became an ungendered best performance award, all five nominations go to women. They are: India’s Kani Kusruti for “All We Imagine as Light,” Georgia’s Ia Sukhitashvili for “April,” Japan’s Yuumi Kawai for “Desert of Namibia,” Kazakh performer Madina Akylbekova for “Madina” and Iranian Soheila Golestani for “The Seed of the Sacred Fig.”

“In 2024, two thirds of our nominated films are debut or second films, representing the cinematic excellence of the next generation of Asia Pacific voices, and the unique and compelling stories they are choosing to tell,” said APSA chair Tracey Vieira.

The awards will be presented Nov. 30 at a ceremony in Gold Coast, Queensland, following the four-day Asia Pacific Screen Forum (Nov. 27-30). Four recipients of the MPA APSA Academy Film Fund grants of $25,000, wholly supported by the Motion Picture Association, Asia Pacific, will also be announced at the ceremony.

APSA 2024 Nominees


Best Film
“All We Imagine as Light”
“April”
“Desert of Namibia”
“Happyend”
“To Kill a Mongolian Horse”

Best Youth Film
“Boong” (India)
“Magic Beach” (Australia)
“She Sat There Like All Ordinary Ones” (aka “Kai Shi De Qiang”) (China)
“Sunshine” (Philippines)
“The Mountain” (New Zealand)

Best Animated Film
“Ghost Cat Anzu” (Japan, France)
“Memoir of a Snail” (Australia)
“Pig That Survived Foot-and-Mouth Disease” (South Korea)
“The Colors Within” (aka “Kimi no Iro”) (Japan)
“The Missing” (aka “Iti Mapukpukaw”) (Philippines)

Best Documentary Film
“Breaking the Cycle” (Thailand)
“Kamay” (Afghanistan, Belgium, France, Germany)
“No Other Land” (Palestine, Norway)
“XiXi” (Taiwan, Philippines, South Korea)
“Youth (Homecoming)” (aka “Qing Chun (Gui)”) (France, Luxembourg, Netherlands)

Best Director
Payal Kapadia for “All We Imagine as Light”
Dea Kulumbegashvili for “April”
Tato Kotetishvili for “Holy Electricity”
Rithy Panh for “Meeting with Pol Pot” (aka “Rendez-vous avec Pol Pot”)
Xiaoxuan Jiang for “To Kill a Mongolian Horse”

Best Screenplay
Payal Kapadia for “All We Imagine as Light”
Dea Kulumbegashvili for “April”
Neo Sora for “Happyend”
Selman Nacar for “Hesitation Wound” (Tereddüt Çizgisi)
PS Vinothraj for “The Adamant Girl” (Kottukkaali)
 
Best Cinematography
Ranabir Das for “All We Imagine as Light”
Arseni Khachaturan for “April”
Michaël Capron for “Mongrel”
Hideho Urata for “Stranger Eyes”
Son Doan for “Viet and Nam”

Best Performance
Kani Kusruti for “All We Imagine as Light”
Ia Sukhitashvili for “April”
Yuumi Kawai for “Desert of Namibia”
Madina Akylbekova for “Madina”
Soheila Golestani for “The Seed of the Sacred Fig”