CPH:DOX unveils the films nominated across all six award categories. The selection features 66 films in competition, among which 47 are world premieres, 17 international premieres and 2 European premieres.
For the second year in a row, all films in the main competition celebrate their world premieres in Copenhagen.
As CPH:DOX gears up for its 21st edition from March 13-24, the festival continues its tradition of showcasing the finest documentary films from around the globe, highlighting pressing contemporary issues through a series of talks, debates, and events. Having sifted through thousands of submissions, our programming team is on the verge of announcing a carefully curated selection of over 200 titles for this year’s festival. The complete festival programme will be announced on February 21.
As the Tide Comes In | CPH:DOX 2024, Director: Juan Palacios, Co-director: Sofie Husum Johannesen
In the meantime, CPH:DOX is excited to reveal the contenders for the festival’s six prestigious awards.
Niklas Engstrøm, CPH:DOX’ Artistic Director, comments, “We’re thrilled to present this year’s competition films, which span from global geopolitics to intimate, existential queries. What unites these films is their ambition to engage with the world in a meaningful way. This year’s competition sharpens its focus on the most urgent issues of our time, from the wars in Ukraine and Gaza to gang violence in Sweden, exploring themes of identity politics, colonialism, and the foundational struggles for democracy and the fight against climate change. These films offer fresh perspectives, challenge aesthetic boundaries, and delve deeper into issues we thought we understood. We are delighted to unveil this programme, which promises to enlighten and inspire.”
The awards at CPH:DOX serve not only as a stamp of artistic approval for the winners, but also as a significant milestone, positioning them among a distinguished lineage of documentary filmmakers who have leveraged this recognition to cement and expand their influence within the cinematic landscape or to achieve global breakthroughs.
New award in partnership with the Institute for Human Rights
CPH:DOX and the Institute for Human Rights are introducing the brand new HUMAN:RIGHTS AWARD to this year’s festival, marking the 75th anniversary of the Universal Declaration of Human Rights. This new award underscores the ongoing relevance of human rights in challenging times.
Mads K. Mikkelsen, CPH:DOX’ Head of Programme, stated, “In an era that demands solidarity with courageous filmmakers who champion equality and justice worldwide, we’ve established the HUMAN:RIGHTS AWARD. This year, we nominate ten exceptional films that highlight pressing global issues, reflecting our commitment to fostering a deeper understanding of human rights.”
This collaboration extends to a series of events and discussions focusing on universal rights, kicking off with the ‘Turning Points: 75 Years of Human Rights’ photo exhibition at one of the festival venues, ‘Pressen’ in Politiken’s Hus. The award ceremony is scheduled for March 22 at Kunsthal Charlottenborg.
The competitions
The festival boasts a diverse array of six competition categories, each meticulously judged by an appointed international jury. Each category highlights films celebrated for their artistic brilliance, societal relevance, and unique storytelling.
The DOX:AWARD, offering €10,000 and sponsored by DR, stands out for exclusively featuring world premieres for the second year. The NEW:VISION Award, with a €5,000 prize, delves into art films and boundary-pushing experiments, while the NEXT:WAVE Award, also valued at €5,000, spotlights emerging filmmakers. The NORDIC:DOX Award, another €5,000 prize, highlights exceptional films from the Nordic region, whereas the F:ACT Award, supported by International Media Support and the Danish Journalist Union, and also €5,000, celebrates the field between documentary and in-depth journalism.
Additionally, this year’s introduction of the HUMAN:RIGHTS Award, sponsored by the Institute for Human Rights and valued at €5,000, emphasizes films addressing human rights issues.
Last, but not least, the Audience Award, with a prize of €5,000, empowers festival-goers to vote for their favorite film, further enriching CPH:DOX’s commitment to engaging its audience across a spectrum of documentary filmmaking excellence.
Together, these categories celebrate the documentary genre’s varied landscape and the festival’s inclusive spirit, offering a platform for stories that resonate on both a personal and global scale.
DOX:AWARD:
Balomania (Sissel Morell Dargis, Denmark/Spain, World Premiere) The Black Garden (Alexis Pazoumian, France/Belgium, World Premiere) E.1027 – Eileen Gray and the House by the Sea (Beatrice Minger, co-dir. Christoph Schaub, Switzerland, World Premiere) The Flats (Alessandra Celesia, France/UK/Ireland/Belgium, World Premiere) Immortals (Maja Tschumi, Switzerland/Iraq, World Premiere) Life and Other Problems (Max Kestner, Denmark/Sweden/UK, World Premiere) Motherboard (Victoria Mapplebeck, UK, World Premiere) Night of Nights (Truman, USA, World Premiere) Once Upon a Time in a Forest (Virpi Suutari, Finland, World Premiere) Phantoms of the Sierra Madre (Håvard Bustnes, Norway/Finland/USA/Mexico, World Premiere) Two Strangers Trying Not To Kill Each Other (Manon Ouimet & Jacob Perlmutter, UK, Denmark, United States, World Premiere) Wilfred Buck (Lisa Jackson, Canada, World Premiere)
NEW:VISION AWARD
Preemptive Listening (Aura Satz, UK/Finland, European Premiere) Ottu (Sandra Ignagni, Canada/France/Italy, World Premiere) My Want of You Partakes of Me (Beny Wagner & Sasha Litvintseva, UK/Netherlands, World Premiere) Familiar Phantoms (Larissa Sansour, Søren Lind, UK/Palestine, World Premiere) And Still, It Remains (Arwa Aburawa, Turab Shah, Algeria/UK, World Premiere) Look On the Bright Side (Yuyan Wang, France/Italy, International Premiere) Dieseline Dreams (Max Göran, Sweden, World Premiere) Trash The Musical (Loretta Fahrenholz, Germany, World Premiere) Two Suns (SUPERFLEX, Denmark, World Premiere) You, My, Omma, Mama (Laure Prouvost, Belgium/ France/Austria, World Premiere) Lichens Are The Way (Ondøej Vavreèka, Czech Republic/Slovakia, World Premiere) Single File (Simon Liu, Italy/USA/UK/Hong Kong, World Premiere) Silent Night (Philipp Schaeffer & Jonathan Schaller, Germany/Palestine/Israel, World Premiere) Efforts of Nature (Morgan Quaintance, UK, International Premiere) No Exorcism Film (Komtouch Napattaloong, Thailand, World Premiere)
F:ACT AWARD
The Battle for Laikipia (Daphne Matziaraki & Peter Murimi, Kenya/USA, International Premiere) Black Snow (Alina Simone, USA, World Premiere) Can’t Feel Nothing (David Borenstein, Denmark/China/Russia/North Macedonia/USA, World Premiere) Daughter of Genghis (Kristoffer Juel Poulsen, Christian Als, Denmark/Sweden/France, World Premiere) Democracy Noir (Connie Field, USA, Germany/Denmark, World Premiere) Lie To Me (Baar Tyrmi, Norway, International Premiere) Limits of Europe (Apolena Rychlíková, Czech Republic/Slovakia/France, World Premiere) Night of the Coyotes (Clara Trischler, Germany/Austria, World Premiere) Stray Bodies (Elina Psykou, Greece/Switzerland/Italy/Bulgaria, International Premiere) Union (Stephen Maing, Brett Story, USA, International Premiere)
NEXT:WAVE AWARD
Appearances (Nicolás Onischuk, Argentina, International Premiere) La base (Vadim Dumesh, France, International Premiere) Blueberry Dreams (Elena Mikaberidze, Georgia/France/Belgium/Quatar, World Premiere) Death of a Saint (Patricia Bbaale Bandak, Denmark, World Premiere) Eros (Rachel Daisy Ellis, Brazil, International Premiere) G – 21 scenes from Gottsunda (Loran Batti, Denmark/Sweden, World Premiere) Grand Me (Atiye Zare Arandi, Belgium/Iran, World Premiere) Invisible People (Alisa Berger, France/Germany, World Premiere) KIX (Bálint Révész & Dávid Mikulán, France/Croatia/Hungary, World Premiere) My First Film (Zia Anger, USA, World Premiere) The Nights Still Smell of Gunpowder (Inadelso Cossa, France/Netherlands/Mozambique/Norway/Portugal/Germany, International Premiere) Realm of Satan (Scott Cummings, USA, International Premiere) Sting Like a Bee (Leone, Italy, International Premiere) To be an Extra (Henrike Meyer, Germany, World Premiere)
NORDIC:DOX AWARD
G – 21 scenes from Gottsunda (Loran Batti, Denmark/Sweden, World Premiere) Hard to Break (Anna-Maija Heinonen & Krista Moisio, Finland, International Premiere) The Labour of Pain and Joy (Karoliina Gröndahl, Finland, World Premiere) Life and Other Problems (Max Kestner, Denmark/Sweden/UK, World Premiere) Mina and the Radio Bandits (Kari Anne Moe, Norway, World Premiere) Once Upon a Time in a Forest (Virpi Suutari, Finland, World Premiere) Our Father Wears a Sun (Jasper Spanning, Rosalinde Mynster, Denmark, World Premiere) Phantoms of the Sierra Madre (Håvard Bustnes, Norway/Finland/USA/Mexico, World Premiere) A Place in the Sun (Mette Carla Albrechtsen, Denmark, World Premiere) The Son and the Moon (Roja Pakari, Denmark/Iran, World Premiere)
HUMAN:RIGHTS AWARD
Black Box Diaries (Shiori Ito, Japan/UK/USA, European Premiere) I Shall Not Hate (Tal Barda, Canada/France, World Premiere) Limits of Europe (Apolena Rychlíková, Czech Republic/Slovakia/France, World Premiere) Marching in the Dark (Kinshuk Surjan, Belgium/Netherlands/India, World Premiere) Mediha (Hasan Oswald, USA, International Premiere) A Poem for Little People (Ivan Sautkin, Lithuania/UK/Ukraine, International Premiere) Power (Yance Ford, USA, International Premiere) The Recovery Channel (Ellen Ugelstad, Norway, International Premiere) Silent Trees (Agnieszka Zwiefka, Denmark/Poland/Germany, World Premiere) The Sky Above Zenica (Zlatko Pranjic & Nanna Frank Møller, Bosnia and Herzegovina/Denmark, World Premiere)