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Cannes 2023 :: Killers of the Flower Moon :: Martin Scorsese’s Bitterest Crime Epic Martin Scorsese triumphs yet again. A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it.. |
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Berlinale 2023 :: Full Winners List This year’s jury, headed by Kristen Stewart, gave
the Golden Bear award to the French documentary “On the Adamant..” The Silver Bear for
Best Lead Performance notably went to child star Sofia Otero for “20,000 Species of Bees.”
Philippe Garrel's “The Plough” was.. |
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BAFTA 2023 :: ‘All Quiet on the Western Front’
Dominates BAFTA Awards With Seven Wins “All Quiet on the Western Front” dominated the BAFTA Awards in London on
Sunday night with a record-breaking seven wins for a film not in the English languag,
including for Best Director.. |
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Berlinale 2023 :: Golshifteh Farahani :: Talks Role Of
Art In Iran “In A Dictatorship Like
Iran, Art Is Essential, It’s Like Oxygen.” Iranian actress Golshifteh Farahani, who is at the
Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the
importance of art.. |
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SIFF 2023 :: Shirin Ebadi :: Until We Are Free
This is the amazing, at times harrowing,
simply astonishing story of a woman who would never give up, no matter the risks. The first
Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around
the globe.. |
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IFFR 2023 Awards :: 'Le spectre de Boko Haram' and
'Endless Borders' are the victors Cyrielle Raingou’s documentary took home the Tiger Award, whilst Abbas
Amini’s feature won the VPRO Big Screen Award, as the Dutch gathering celebrated its in-
person comeback.. |
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Winners of the 2022 ‘Sepanta Awards’ :: 15th Annual
Iranian Film Festival This year, the
festival presented 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video.. |
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Opinion :: Will Venice Protests Help or Hurt filmmakers
in Iran? As the Venice Film Festival
celebrates Iranian cinema — with four Iranian films screening at the 79th Biennale — back
home in Tehran, Iranian filmmakers and artists are facing the harshest crackdown in
decades.. |
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Biennale Cinema 2022 :: Awards Ceremony
Official Awards of the 79th Venice Film Festival.
Announced by the five international Juries, chaired by Julianne Moore, during the Awards
Ceremony that was held on Saturday 10th September at 7:00 pm..
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Coming: 15th Annual Iranian Film Festival! : San
Francisco: Sep. 17-18 This year, the
festival presents 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video. We are happy and proud to.. |
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In remebrance of Farzaneh Taidi A Prominent Iranian Actress Dies in Exile at 75
Ramin Torkian, iroon.com
Farzaneh Taidi, an award-winning yet controversial Iranian actress from the 1970's, is often remembered for her role as Azar in Sirus Alvand's "A Cry Under Water".
Farzaneh Taidi passed away in exile in London at 75 on March 24.
Those of us who recall the pre-revolutionary Iranian cinema would remember her as a daring artist with a theatre background who preferred avant-garde roles such as “The eighth day of the week” for which she won the then prestigious Iranian Sepaas award.
She had starred in a number of other iconic films in the 1980s, including Massoud Kimiai's "The Soil" and "The Journey of the Stone", Hossein Rajaian's "The Eighth Day of the Week", Saeed Motalebi's "Salaat-e Zohr" and "The Dealers" by Hassan Mohammadzadeh.
With a great screen presence, combined with then modern looks she epitomised the beauty with brains and talent image of the Iranian woman of 1970s.
Iran was projected as a progressive nation that was modernising its values and Taidi was open to challenge taboo subjects and took on LGBTQ roles as well as the role of the first Iranian cinema female protagonist, a rape victim, in a psychological drama.
She also had the role of Shahin in “Not without my daughter” a film which in the time of the Iran hostage crisis faced a tsunami of criticism from the Iranian community because of its propaganda aspect as well as the fact that it touched many patriotic nerves.
In 1994 the British newspaper "The Independent" wrote in a separate report that the Iranian Ministry of Intelligence had decided to assassinate Farzaneh Taidi, Bani-Sadr (the exiled former prime minister) and Javad Dabiran by hiring a terrorist member of the "Irish Republican Army". The assassination did not take place, and Islamic Republic officials did not respond to the Independent's report.
Back in late 80’s I happened to be somewhere on the outskirts of London and during a lunch break I went to a post office. In front of the queue were Parviz Kardan and his son. I thought what are the odds! The relevance of mentioning this chance encounter is that the son was in fact also the son of Farzaneh Taidi.
Farzaneh Taidi and her husband Behrouz Behnezhad had been under house arrest in Iran and evidently had suffered tremendously. With the aid of people smugglers, risking life and limb, they had crossed the Pakistani boarder and were living in a modest London apartment.
One of their plays echoed their post traumatic state. It was about a woman who had died crossing the border and had been given a second chance in life. Her character, an angelic figure, had to face the harsh reality that a room in a London Bed and Breakfast was far from the reality of the promised Paradise. Again and again real life echoed their plays.
The diaspora public had an unsympathetic 'so what' attitude to the whole affair. In the middle of all this I noticed that the stress was taking its toll on both Farzaneh Taidi and Behrouz Behnezhad for they were trying to get their life back together again, they needed a circle of supporters and recognition for their craft.

During her stay in the United Kingdom, Farzaneh lived with Behrouz Behnezhad, another longtime actor of Iranian cinema and theater. Off stage Farzaneh was still suffering from Post traumatic stress. Behrouz was very protective of her but he had his own fill of stress as he was such a hard-working events organiser.
I hope that people would remember her with that attractive cheeky smile of Fuji coloured 1970’s covers as well as her boldness to play the controversial parts. My deepest sympathy goes to Behrouz and Farzaneh's family.
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