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Cannes 2023 :: Killers of the Flower Moon :: Martin Scorsese’s Bitterest Crime Epic Martin Scorsese triumphs yet again. A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it.. |
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Berlinale 2023 :: Full Winners List This year’s jury, headed by Kristen Stewart, gave
the Golden Bear award to the French documentary “On the Adamant..” The Silver Bear for
Best Lead Performance notably went to child star Sofia Otero for “20,000 Species of Bees.”
Philippe Garrel's “The Plough” was.. |
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BAFTA 2023 :: ‘All Quiet on the Western Front’
Dominates BAFTA Awards With Seven Wins “All Quiet on the Western Front” dominated the BAFTA Awards in London on
Sunday night with a record-breaking seven wins for a film not in the English languag,
including for Best Director.. |
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Berlinale 2023 :: Golshifteh Farahani :: Talks Role Of
Art In Iran “In A Dictatorship Like
Iran, Art Is Essential, It’s Like Oxygen.” Iranian actress Golshifteh Farahani, who is at the
Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the
importance of art.. |
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SIFF 2023 :: Shirin Ebadi :: Until We Are Free
This is the amazing, at times harrowing,
simply astonishing story of a woman who would never give up, no matter the risks. The first
Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around
the globe.. |
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IFFR 2023 Awards :: 'Le spectre de Boko Haram' and
'Endless Borders' are the victors Cyrielle Raingou’s documentary took home the Tiger Award, whilst Abbas
Amini’s feature won the VPRO Big Screen Award, as the Dutch gathering celebrated its in-
person comeback.. |
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Winners of the 2022 ‘Sepanta Awards’ :: 15th Annual
Iranian Film Festival This year, the
festival presented 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video.. |
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Opinion :: Will Venice Protests Help or Hurt filmmakers
in Iran? As the Venice Film Festival
celebrates Iranian cinema — with four Iranian films screening at the 79th Biennale — back
home in Tehran, Iranian filmmakers and artists are facing the harshest crackdown in
decades.. |
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Biennale Cinema 2022 :: Awards Ceremony
Official Awards of the 79th Venice Film Festival.
Announced by the five international Juries, chaired by Julianne Moore, during the Awards
Ceremony that was held on Saturday 10th September at 7:00 pm..
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Coming: 15th Annual Iranian Film Festival! : San
Francisco: Sep. 17-18 This year, the
festival presents 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video. We are happy and proud to.. |
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Welcome to Online Film Home! |
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Mansuri, Rubik |
Date of Birth
1937, Tehran, Iran
Date of death
21 August 2000, Tehran, Iran
Rubik Mansuri (1937 - August 11, 2000)
Rubik Mansuri (1937, Tehran - 21 August 2000, Tehran) was an Iranian-Armenian film composer, music arranger, editor and sound designer. His fame was mostly related to the field of film music and sound.
Rubik (Ali) Mansuri studied at the Music Academy and his specialized instrument was the flute, but when he entered the cinema industry, despite the fact that his name was registered as a producer or selector of the soundtrack, he did not follow his specialized field.
In 1956, at the suggestion of Hassan Musaibi, and as his assistant, Mansuri went to Borna Studio (Cinema Ten) which was managed by an American named Stephen Nyman, and undertook the task of sound designing for the dubbing of Shaitan-e Farari (under the dubbing guidance of Zia Al-Absaari).
The first film with Mansuri's name in its title is Storm in Our Town. In this film, he was the assistant of Sorik Khachikian and Henrik Avdisian and responsible for the sound of the film, and in Ghased-e Behesht (1959), Khachikian's next film, he was promoted to the position of sound designer alongside Sorik and Hakop Giorgiz.
Since then, Rubik Mansuri's name has been recorded in hundreds of films as a sound designer, mixer, effect, synchronist, choice of soundtrack, etc., and his activity continued until the last moments of his life on August 21, 2000, at the age of 62.
After Azhirfilm, Mansuri expanded his career in Iran Film, Pars Film, Misaghieh Studio, Shahin Film and Filmkar studios, and worked as sound designer for films such as The Midnight Terror (Samuel Khachikian 1961), Mr. Twentieth Century (Siamak Yasami 1964) and The Mummy (Hamid Mojtahedi 1966). Yusof and Zuleikha (Mehdi Raeis-Firooz 1968) Blue World (Saber Rahbar 1969) Gheisar (Masoud Kimiai 1969) Hasan Kachal (Ali Hatami 1970) Escape from the Trap (Jalal Moghadam 1971) Goodbye Friend (Amir Naderi 1971) Sadegh Korde (Nasser Taghvai 1972) ) Postchi (Dariush Mehrjui 1972), Khak (Masoud Kimiai 1973), Haji Washington (Ali Hatami 1982), Boycot (Mohsen Makhmalbaf 1986), Gaal (Abolfazl Jalili 1989) and Narges (Rakhshan Bani Etemad 1992).
Rubik Mansuri's skill, creativity, good nature and long experience in cinema made many directors of his time and the later generation consider him as an expert and consultant and give him full authority when working with him.
Selected works of
Mansuri, Rubik
1982
Hajji Washington (1982)
1964
Aghaye gharne bistom (1964)
1958
Messenger of Heaven | Ghasede behesht (1958)
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