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Cannes 2023 :: Killers of the Flower Moon :: Martin Scorsese’s Bitterest Crime Epic Martin Scorsese triumphs yet again. A story about greed, corruption, and the mottled soul of a country that was born from the belief that it belonged to anyone callous enough to take it.. |
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Berlinale 2023 :: Full Winners List This year’s jury, headed by Kristen Stewart, gave
the Golden Bear award to the French documentary “On the Adamant..” The Silver Bear for
Best Lead Performance notably went to child star Sofia Otero for “20,000 Species of Bees.”
Philippe Garrel's “The Plough” was.. |
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BAFTA 2023 :: ‘All Quiet on the Western Front’
Dominates BAFTA Awards With Seven Wins “All Quiet on the Western Front” dominated the BAFTA Awards in London on
Sunday night with a record-breaking seven wins for a film not in the English languag,
including for Best Director.. |
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Berlinale 2023 :: Golshifteh Farahani :: Talks Role Of
Art In Iran “In A Dictatorship Like
Iran, Art Is Essential, It’s Like Oxygen.” Iranian actress Golshifteh Farahani, who is at the
Berlin Film Festival as a member of Kristen Stewart’s jury, has talked passionately about the
importance of art.. |
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SIFF 2023 :: Shirin Ebadi :: Until We Are Free
This is the amazing, at times harrowing,
simply astonishing story of a woman who would never give up, no matter the risks. The first
Muslim woman to receive the Nobel Peace Prize, Shirin Ebadi has inspired millions around
the globe.. |
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IFFR 2023 Awards :: 'Le spectre de Boko Haram' and
'Endless Borders' are the victors Cyrielle Raingou’s documentary took home the Tiger Award, whilst Abbas
Amini’s feature won the VPRO Big Screen Award, as the Dutch gathering celebrated its in-
person comeback.. |
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Winners of the 2022 ‘Sepanta Awards’ :: 15th Annual
Iranian Film Festival This year, the
festival presented 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video.. |
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Opinion :: Will Venice Protests Help or Hurt filmmakers
in Iran? As the Venice Film Festival
celebrates Iranian cinema — with four Iranian films screening at the 79th Biennale — back
home in Tehran, Iranian filmmakers and artists are facing the harshest crackdown in
decades.. |
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Biennale Cinema 2022 :: Awards Ceremony
Official Awards of the 79th Venice Film Festival.
Announced by the five international Juries, chaired by Julianne Moore, during the Awards
Ceremony that was held on Saturday 10th September at 7:00 pm..
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Coming: 15th Annual Iranian Film Festival! : San
Francisco: Sep. 17-18 This year, the
festival presents 50 films from Iran, USA, Italy, France, Luxembourg, Greece, UK, Canada,
Australia, and Denmark…, ranging from fiction, documentary, short, animation…. to the
music video. We are happy and proud to.. |
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Welcome to Online Film Home! |
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Zurlini, Valerio |
Date of birth
19 March 1926, Bologna, Italy
Date of death
26 October 1982, Verona, Italy
Valerio Zurlini (March 19, 1926 - October 26, 1982)
Born in Bologna from Parmesan parents, he studied in Rome where he graduated from college with a degree in Law. In Rome he also entered the world of theater.
He started to get interested in the world of cinema at the end of the 1940s, and between 1948 and 1953 filmed fifteen documentaries in which he revealed himself to be one of the most talented directors of short movies, with an authentic vein of inspiration that came clearly from the Realism style.
His debut in long movies took place in 1955 with Le ragazze di San Frediano (The Girls of San Frediano) from the novel by the same name by Vasco Pratolini, in which his experience as documentary director joins a narrative style that is elegant and sensitive.
“I believe that a thing lasts in time when it is done with great sincerity, great honesty of means, and with a profound inner truth; then it will last, as a small thing, but it will last.”
After this, he collaborated with Alberto Lattuada but his full recognition as an author took place in 1959 with the film Estate Violenta (Violent Summer) «a heartfelt love story on the background of a dramatic moment of Italian history – the final moments of the war – that confirms his attitude to dig in the psychological aspects of the characters and his refined elegance in the composition».
His interest for “private life” emerged in La ragazza con la valigia (Girl With a Suitcase) of 1961, an affectionate and delicate narration of the impossible love story between a young man and a ballet dancer. The film, shot in external location in the summer of 1960 in Parma, was the occasion for the movie director to reconnect with Pietro Barilla (they met in Rome in 1958 through their common friend Pietro Bianchi), who called him to direct the first series of Barilla commercials with Mina in 1965. For Barilla as well, Zurlini directed Mina in the last commercial she filmed.
A cultured man, refined and a lover of art, he gave an interpretation of deep quality to the texts by Mina and contributed to the evolution of the singer’s image. His passion for art is evident in the commercial that he directed and was contagious for Pietro Barilla who with his guidance began to frequent the world of art.
In the meantime Zurlini in 1962 was able to finally realize his project Cronaca Familiare (Family Diary), the adaptation of another work by Pratolini, where once more the poetry of sentiments is predominant. After a few lesser films, Zurlini went back to dealing with the world of sentiments but this time gravitating on existential doubts and the incumbency of death, in La prima notte di quiete (Indian Summer) of 1972.
With great skill, in 1976 he directed the cinematographic version of Il deserto dei Tartari (The Desert of the Tartars – from The Tartar’s Steppe by Dino Buzzati) that translated the most popular novel by Dino Buzzati into splendid images.
He was not a prolific author and in his last years devoted himself to teaching at the Center for Experimental Cinematography of Rome and to dubbing a good number of foreign films. (Giancarlo Gonizzi)
Selected filmography of
Zurlini, Valerio
1976
The Desert of the Tartars | Il deserto dei Tartari (1976)
1968
BLACK JESUS | Seduto alla sua destra (1968)
1965
The Camp Followers | Le soldatesse (1965)
1962
Family Diary | Family Portrait | Cronaca familiare (1962)
1959
Violent Summer (1959)
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